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The Truffaut borrowings are explicit in Noah Baumbach's Frances Ha, while Richard Linklater's Before Midnight takes its cues from Eric Rohmer's gentle but expansive talkfests. In both films, conversation is a centerpiece as characters navigate relationships.
In dumping his formula, director Todd Phillips has thrown out just about everything else that made the surprise-hit first movie even a little likable.
Rama Burshtein's ravishing family story is a love poem to life in an insular community ¿ the ultra-Orthodox Hasidim of Tel Aviv, where the director lives. Studiously nonpolitical, it's a low-stakes story with the emotional punch of high drama. (Recommended)